
I shall be peering out of real windows in June.
Blog on a break...
Be back in July.
Each of us can supply evidence of how it is that late works crown a lifetime of aesthetic endeavour. Rembrandt and Matisse, Bach and Wagner. But what of artistic lateness not as harmony and resolution, but as intransigence, difficulty and contradiction? What if age and ill health don't produce serenity at all? This is the case with Ibsen, whose final works, especially When We Dead Awaken, tear apart the artist's career and re-open questions that a late period is supposed to have resolved. Far from resolution, however, Ibsen's last plays suggest an angry and disturbed artist for whom the medium of drama is an occasion to stir up more anxiety, tamper irrevocably with the possibility of closure, leave the audience more perplexed and unsettled than before. It is this second type of lateness as a factor of style that I find deeply interesting: a sort of deliberately unproductive productiveness, a going against.
when it rained last night, the cats were grey
hmmm...
the summer's over since yesterday
hmmm...
voracious means five books each day
hmmm...
she plays music in the loo btw
_______
We are accustomed to understand art to be only what we hear and see in theaters, concerts, and exhibitions, together with buildings, statues, poems, novels. . . . But all this is but the smallest part of the art by which we communicate with each other in life. All human life is filled with works of art of every kind - from cradlesong, jest, mimicry, the ornamentation of houses, dress, and utensils, up to church services, buildings, monuments, and triumphal processions. It is all artistic activity. So that by art, in the limited sense of the word, we do not mean all human activity transmitting feelings, but only that part which we for some reason select from it and to which we attach special importance.
soul-searching might lead to happiness, but happiness could be the biggest impediment to soul-searching. And without soul-searching, there would be no creativity. Is that why most creative men are so unhappily married?
Recently, I began to feel that, in my chosen line of work, I was missing out on a lot of things in life. ‘Being hip’, for example. Nobody thinks sitting in an office cubicle and tapping away on a computer keyboard all day long is anywhere near hip. Far from it, in fact. It’s somewhere below ankle. And then, I started thinking about what I did during the time I wasn’t working - quiz, watch reality shows, and blog – all activities that aren’t even in the same pin code as cool. All my fellow bloggers reading this, please do not kid yourselves, we are all losers.
My inclination after reading these attacks (after lashing out!) is to try to write better so that at some point these people will have no fodder. But that’s kind of silly of me. Blogs are what they are and as good as they can be, they’re nothing like newspapers and never will be. In some cases, as we’ve seen, blogs act as a farm team for mainstream publications, but in most cases, they’re something quite different.
He came to see me
and left saying
see me.
என்னைப் பார்க்க வந்தவர்
தன்னைப் பார்
எனச் சொல்லிச் சென்றார்!
If you've been wary of reading a biographical novel, I suggest you wean yourself on Colm Toibin's The Master. I would have never believed that it is possible to dip into the consciousness of a Henry James and produce a book so believable that you cannot help but forget you are reading a biographical novel. For readers who have been swept away by Jamesian sentences and plots (is Jamesian an official dictionary entry yet? It should be, given how often it is tossed around), The Master, a Booker 2004 shortlistee, will be a special treat as Toibin effectively shows how James picked his ideas.For me, the most important moment came reading a Sherlock Holmes story when I suddenly realised I'd been following the tale for several minutes having completely forgotten about the Iliad itself. This, of course, is essential: how many of us could get anything out of a book if we were constantly saying, in a small voice, "Hey, look at me - I'm reading this thing"?
It is interesting to look at the bestseller lists, say, of the 1920s, where one would be hard-pressed to recognize virtually anything that is read today, with a few notable exceptions. As someone said: Today’s bestseller lists are tomorrow’s obituary columns.Off I went to find the bestseller lists. Have found one, which needs some hours to run through. Here's the 1961 fiction list (looks like the US bestseller list btw)
1. The Agony and the Ecstasy, Irving StoneYes, pretty obvious why I picked this year isn't it?
2. Franny and Zooey, J. D. Salinger
3. To Kill a Mockingbird, Harper Lee
4. Mila 18, Leon Uris
5. The Carpetbaggers, Harold Robbins
6. Tropic of Cancer, Henry Miller
7. Winnie Ille Pu, Alexander Lenard, trans.
8. Daughter of Silence, Morris West
9. The Edge of Sadness, Edwin O'Connor
10. The Winter of Our Discontent, John Steinbeck
It’s a mystery to most Indians that anybody can make that much money from the teaching of a knowledge that is not supposed to be bought or sold like sausages. Should an Indian, in retaliation, patent the Heimlich maneuver, so that he can collect every time a waiter saves a customer from choking on a fishbone?
K is for ... ketchupTomato ketchup to make jewellery gleam eh? Ah.
Keeps silver jewellery sparkling. Soak it in a small bowl of ketchup for a few minutes. If it has a tooled or detailed surface, use an old toothbrush to work ketchup into the crevices. To avoid damaging the silver, don't leave the ketchup on longer than necessary. Rinse and dry.
"India is hot right now," she announces. Her books "were among the first few to reflect a contemporary India, rather than be focused on the cliches surrounding India. They were not books about the depression and repression, and they were not about women who were suffering, they were not about poverty. Instead they're about attitude, so perfectly in tune with the zeitgeist that more than a hundred doctorates have been written about them."Enough said.